You’re out in Livigno right now covering one of the biggest events in winter sport. How’s the first week been?
It’s been insane — in the best way. Some seriously long days, up to 17 hours, covering everything happening on the mountain.I’m so proud of the athletes out here. I’m also the youngest photographer here by far, which feels pretty surreal sitting next to some of the veterans. But honestly, I’m just having the best time.More than anything, I’m trying to make images these athletes will look back on forever. A lot of them have spent their entire lives working toward moments like this. That’s not something you take lightly.
You got to shoot Big Air. What stood out to you?
The level of riding was unreal — especially on the women’s side. Seeing athletes land tricks they’ve been building toward for years is something special.For me, the standout moments are always the ones where you can feel how much it means — not just the trick itself, but the release afterward. Those are the frames I’m chasing.
How does covering an event like this differ from other major competitions?
The scale is different. Everything is bigger, tighter, more intense.There’s a lot more structure to how things operate, which forces you to be sharp. You have to know your locations, anticipate moments, and move quickly when something happens.But that pressure also brings out the best in you. It makes you more precise.
What do your days look like on assignment?
It changes depending on training and competition schedules, but on busy days it’s something like:Wake up. Quick coffee. Pack my bag. Head to the venue early to scout angles. Shoot practice. Make mental notes on start lists. Lock in for runs. Always position myself for reaction moments at the bottom.If there’s a big result, it’s straight to editing — fast turnaround, captioning, delivering images quickly so the team can use them.Then it’s back to shooting if there’s an evening session.Sleep usually happens around 2–3am. Tired, but honestly, it doesn’t really phase me. I’m too stoked to be here.
What’s in your bag?
I travel light but prepared. Camera bodies, long lenses, extra cards, layers for changing weather — and a pack that can handle being thrown around in snow and ice all day.You don’t realise how important your bag is until you’re living out of it for weeks.
How’s the food situation?
It’s probably amazing — I just haven’t had much time to sit down properly.I’ve been running on caffeine gummies and quick meals between edits. When I do get a proper plate, though, it hits different.
What would you tell your teenage self if they could see you now?
Tell your mum and your family you love them while you still can.And keep going — even when it feels impossible.
